I’m fascinated with human existence – the moral choices we make, our mentality and psychology, and on the other hand, the extraordinary bestiality, brutality and low levels of awareness. Life has always fascinated me – it’s intensity, a liberation from the everyday reality frameworks in which people impose upon themselves slavery based standards. Breathing full
Life is a series of constant changes; sometimes sudden and gut-wrenching. Higher necessity intervenes without notice or empathy. Acceptance brings quietude. I have no influence on the fate of the world, only on how I think and act. The current situation gives me an interval for reflection and transformation; rejection of false ideas and delusions.
‘Wszystko czai się w oczach’ interview with Monika K. Adler – Piotr Gulbicki, Tydzień Polski, 21 March 2019 Read More…
“Cutting across boundaries between consciousness and unconsciousness, or of time, race or culture, Monika K. Adler’s work exhibits and offers engagement: embracing anxieties, neurosis or delusions, which themselves can be full of all hidden secrets and/or memories (as in trauma related experiences and memories) of actual history (e.g. in terms of bodily and emotional abuse)
Travel. Research. Love in London. Writing. Sick Bacchus: development & pre-production. Location Scouting. Production Design. Film Directing study. Cocaine in the Tiramisu. Photography. Collectors. Christie’s. 2018 Shows – Preparation. Sex, Money & Dogs. Luxury items & Soap Operas. Maldives of Consciousness. Alejandro and Psychomagic. Biarritz. Cosmos. Abracadabra. Amen.
The Last da Vinci Leonardo’s Salvator Mundi (1500) at Christie’s London. ”As fascinating as any best-selling thriller, the rediscovery of Leonardo’s Salvator Mundi, one of fewer than 20 surviving paintings accepted as from the artist’s own hand, has caused a worldwide media sensation” Vintage Chanel
REVIEW OF MONIKA K. ADLER’S PHOTOGRAPHIC WORK: A PSYCHOLOGICAL PERSPECTIVE DRS KEVIN ZDANIECKI Fragment: In so many of Monika K Adler’s still photographs the unconscious psyche is attempting to communicate identity (personal and collective) along with most noticeably issues related to the boundary between life and death and the mysteries held within both. Mastery, in
Sny o potędze, mentalne totalitaryzmy, nacjonalizm wzmocniony przez fundamentalizm religijny żywią monoteistycznego pasożyta zwanego Patriarchatem. Margaret Atwood w kultowej powieści Opowieść podręcznej (1985) i twórcy serialu o tym samym tytule (Handmaid’s tale, Hulu production, 2017) zabierają nas do Gilead (byłe Stany Zjednoczone), państwa niedalekiej przyszłości, gdzie totalitarny rząd fundamentalistów religijnych utrzymuje stan wojny domowej. Społeczeństwo
PARAPHILIA MAGAZINE from THE AMBIVALENT BODY: ON THE SHORT FILMS OF MONIKA K. ADLER By Robert Smart In Chernobyl of Love, we encounter yet another female victim of love gone wrong. Once again Adler herself plays the lead role as the romantic female suffering a profoundly singular “meltdown” after her male lover rejects her. Chernobyl
Chernobyl of love film review by Ada Cartianu As usual, Monika K. Adler is shocking again with her unique and rebellious creativity. Chernobyl of Love is an intriguing film which can infiltrate at the beginning a fear of watching it till the end. With a dramatic consumption based on physical reactions and details more than
