Monika K. Adler on ARTPIL
I am very excited that my biography and the body of work has been published on Artpil: modern + contemporary profiles of the arts. https://artpil.com/monika-k-adler/
I am very excited that my biography and the body of work has been published on Artpil: modern + contemporary profiles of the arts. https://artpil.com/monika-k-adler/
‘The Truth. A reflection on life in quarantine in London’ on Private Photo Review, 13 April, 2021 https://www.privatephotoreview.com/2021/04/the-truth-a-reflection-on-life-in-quarantine-in-london/
”Death and the Maiden”, 2020 aka Eros conquers Thanatos. #holyweek2021 ”Gazing at Adler’s photography, from a psychoanalytic perspective, Wilhelm Reich comes to mind. And, notably, his view of sexual politics. His contentions about the political implications of the suppression of sexuality in, for example, patriarchal based monogamous marriage are brought to the fore by this
My photography work is a part of the Mass Isolation project, Format Photography Festival. The People’s Picture created a Giant Photo Mosaic as a part of the project. You can see it now at QUAD, Centre for Contemporary Art and Film, Derby, UK Photo Credit: People’s Picture, FORMAT, Main Image: Louisa Magdalena – Nahuel Alfonso.
Rankin’s 2020 – the book Rankin’s 2020 – photography book accompanying the TV series. The publication includes my Work. Profits from the book will be donated to Mental Health UK. Waterstones Book Depository The book is listed as ‘unavailable’ on Amazon because we have not delivered books to their warehouse yet. We estimate delivery to
Ostatnio nie mam czasu zagłębiać się w social media, ale! wstąpiwszy w dziewiąty rok emigracji w Londynie, postanowiłam odświerzyć nieco pamięć i napisać o pra-początkach owej ideei, która doprowadziła mnie w słuszne miejsce. ‘Słuszne miejsce’ – tak o miejscu, ktore pokocha ‘Cię na zabój’ – z pełną wzajemnością – i jak ‘Sezam’ otworzy przed Tobą
Life is a series of constant changes; sometimes sudden and gut-wrenching. Higher necessity intervenes without notice or empathy. Acceptance brings quietude. I have no influence on the fate of the world, only on how I think and act. The current situation gives me an interval for reflection and transformation; rejection of false ideas and delusions.
Mass Isolation Project: Format International Photography Festival
‘Wszystko czai się w oczach’ interview with Monika K. Adler – Piotr Gulbicki, Tydzień Polski, 21 March 2019 Read More…
Next exhibition – 209 women: new portraits of women MPs, by women photographers. (Monika K. Adler – Teresa Pearce MP)