Monika K. Adler: The Civilizer, 2018
Today in Argentina: ‘The Civilizer, 2018’. Print for the upcoming show ‘Hiperconnnected museums’, Museo Municipal de Arte de Puerto Madryn, Madryn, Argentina 18 May 2018.
Articles
Monika K. Adler: Towards Abyssinia Part 3
Illuminations: Towards Abyssinia, comprises a series of photographic works that implicitly reference the life of poet Arthur Rimbaud. Here begins a journey of transformation inspired by his own, one of unrelenting reaction against established society. ’Abyssinia’ here is both state of mind and ultimate destination, the objective being to disappear, become the other. The
Monika K. Adler: Selected Film Posters.
“Cutting across boundaries between consciousness and unconsciousness, or of time, race or culture, Monika K. Adler’s work exhibits and offers engagement: embracing anxieties, neurosis or delusions, which themselves can be full of all hidden secrets and/or memories (as in trauma related experiences and memories) of actual history (e.g. in terms of bodily and emotional abuse)
Towards Abyssinia (2016-2018) by Monika K. Adler
Illuminations: Towards Abyssinia (2016-2018) by Monika K. Adler comprises a series of photographic works that implicitly reference the life of poet Arthur Rimbaud. Here begins a journey of transformation inspired by his own, one of unrelenting reaction against established society. ’Abyssinia’ here is both state of mind and ultimate destination for these travellers, their objective
Monika K. Adler: Portrait 2018, CICA Museum, Korea
Monika K. Adler’s work Coyote, 2013 will be shown at the Exhibition: Portrait 2018, CICA Museum, Czong Institute of Contemporary Art, South Korea: www.cicamuseum.com Exhibition Dates: January 5 – 21, 2018. The work ‘Coyote’ is one in a series portrait works of the artist and her partner made in 2013. The work communicates the intimacy
Most followed Photographers on Artstack.
Sun 19 Nov 2017 Most followed Photographers on Artstack: Henri Cartier – Bresson – 10, 684 Helmut Newton – 8, 945 Monika K. Adler – 8, 348
Salvator Mundi
The Last da Vinci Leonardo’s Salvator Mundi (1500) at Christie’s London. ”As fascinating as any best-selling thriller, the rediscovery of Leonardo’s Salvator Mundi, one of fewer than 20 surviving paintings accepted as from the artist’s own hand, has caused a worldwide media sensation” Vintage Chanel
Review of Monika K. Adler’s work: a psychological perspective (fragment)
REVIEW OF MONIKA K. ADLER’S PHOTOGRAPHIC WORK: A PSYCHOLOGICAL PERSPECTIVE DRS KEVIN ZDANIECKI Fragment: In so many of Monika K Adler’s still photographs the unconscious psyche is attempting to communicate identity (personal and collective) along with most noticeably issues related to the boundary between life and death and the mysteries held within both. Mastery, in
Maldives of consciousness
Malediwy świadomości. Nie zarobiwszy na uczniach, mistrzowie stanęli w miejscu. Przyjaciele i wrogowie odeszli w pokoju. Ciemność i światło pokrywają się. Sens jest poza światem emocji. Na Malediwach świadomości odpoczywam Ja. Ponad dziewicami i kurwami. Genitaliami. Matkami, Synami i Ojcami. Ponad Bogiem. Ego własnym i cudzym. Ponad Ojczyzną. Historią i Bajką. Ponad trupami i niemowlętami.
Chernobyl of Love – Paraphilia Magazine 2013
PARAPHILIA MAGAZINE from THE AMBIVALENT BODY: ON THE SHORT FILMS OF MONIKA K. ADLER By Robert Smart In Chernobyl of Love, we encounter yet another female victim of love gone wrong. Once again Adler herself plays the lead role as the romantic female suffering a profoundly singular “meltdown” after her male lover rejects her. Chernobyl