Sick Bacchus: Luxury and the Death Drive, 21 September, 2023
London’s streets
London’s streets
“Capital is an abstract parasite, an insatiable vampire and zombie-maker; but the living flesh it converts into dead labor is ours, and the zombies it makes are us.” – Mark Fisher, Capitalist Realism.
The latest photography series for my in-development feature film Sick Bacchus is now online at Private Photo Review.
#Photo_Exhibition Photography exhibition ‘Patriarchal Sabbath’ by Monika K. Adler is a part of an online programme of the Auckland Festival of Photography 2023 in New Zealand. Read here….
Nostalgia, Edge of Humanity Magazine: 20. 03. 2023, Florida, USA
Monika K. Adler: Nostalgia – The Eye of the Photography – FRA – France, 25 February 2023 https://loeildelaphotographie.com/fr/monika-k-adler/ Monika K. Adler: Nostalgia – L’oeil de la photographie – ENG – FRANCE, 25 February 2023https://loeildelaphotographie.com/en/monika-k-adler-mn/ Nostalgia The photography series ‘Nostalgia’ tells the story of an immigrant’s remembrance of a life disrupted by war. Cold earth and
I want to share with you I am the judge for the black and white photography competition MONOVISIONS BLACK AND WHITE PHOTOGRAPHY AWARDS 2023! I am thrilled to be a part of the jury for that one of the world’s most renowned b&w photo contest. www.monovisionsawards.com
My photograph from the series ‘Nostalgia’ is a part of the Benefit for Visual AIDS 2023 25th of Postcards from the Edge 5 – 8 January 2023 Ortuzar Projects, Tribeca New York City, NY, USA and online. ‘Postcards from the Edge–Visual AIDS’ annual benefit–returns for its 25th year from January 5-8 at @ortuzarprojects in Tribeca! Due to
The Pictorial List | In Conversation with Monika K. Adler: https://www.thepictorial-list.com/interview/monika-k-adler TPL: Talk us through the narrative of NOSTALGIA. When and how did this project first manifest for you? What was the inspiration? What journey are you taking us on? What have you learned from this project that has surprised you? MKA: Nostalgia tells the