REVIEW OF MONIKA K. ADLER’S PHOTOGRAPHIC WORK: A PSYCHOLOGICAL PERSPECTIVE DRS KEVIN ZDANIECKI Fragment: In so many of Monika K Adler’s still photographs the unconscious psyche is attempting to communicate identity (personal and collective) along with most noticeably issues related to the boundary between life and death and the mysteries held within both. Mastery, in
PARAPHILIA MAGAZINE from THE AMBIVALENT BODY: ON THE SHORT FILMS OF MONIKA K. ADLER By Robert Smart In Chernobyl of Love, we encounter yet another female victim of love gone wrong. Once again Adler herself plays the lead role as the romantic female suffering a profoundly singular “meltdown” after her male lover rejects her. Chernobyl
THE AMBIVALENT BODY: ON THE SHORT FILMS OF MONIKA K. ADLER By Robert Smart Paraphilia Magazine, January 2014 Adler’s next film, Purification, is short, just under five-minutes long. The description provided for the film states: Affliction, purify, virtue – Seville, December 2008. Cardinale Alessandro Zacchia II decided to purify a young Polish nun to free
