You can purchase my photography work: Deranged in London at the annual Visual AIDS Benefit. ‘Postcards from the Edge’ exhibition, Visual AIDS, New York, United States January 8-14, 2022 Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving the legacy — because AIDS IS NOT OVER! Get ready! Postcards
What’s on January 2022 Monika K. Adler’s photography works are shown in the following exhibitions: 12 January 2022 – 25 February 2022 ‘Postcards from Europe’, Shutter Hub, Cambridge University, Cambridge, United Kingdom January 8-14 2022 A benefit for Visual AIDS: ‘Postcards from the Edge”, Visual AIDS, New York, United States Until 16 January 2022 Body
Monika K. Adler：新冠下的孤独之旅 “在我对面的公寓楼里，一名年轻女子杀死了自己的两个儿子后自杀了；之后的几天，楼下堆放着人们送来的一波波白玫瑰、气球和便签……这真是对疫情造成的心理阴影的标注。” Monika K. Adler 说，“在英国，每 90 分钟就有一个人自杀。”Monika K. Adler 是波兰人，现居伦敦，是一名以挑衅性的摄影与实验电影作品而闻名的摄… Read more…
Great to see my artwork: Transformation aka Misery of my Soul in the exhibition Body Ideals – Oppression and Liberation, Museum Ovartaci, Aarhus, Denmark 24 November 2021 – 16 January 2022. OPENING 23 NOVEMBER 2021 17:00 – 19:00 FERNISERING – KROPSIDEALER, Undertrykkelse & Frigørelse Olof Palmes Allé 11, 8200 Aarhus, Danmark Museum Ovartaci markerer flytningen
I’m fascinated with human existence – the moral choices we make, our mentality and psychology, and on the other hand, the extraordinary bestiality, brutality and low levels of awareness. Life has always fascinated me – it’s intensity, a liberation from the everyday reality frameworks in which people impose upon themselves slavery based standards. Breathing full
Filmmaker Monika K Adler: “We can create a more valuable life if we work to expand our consciousness”, Yitzi Weiner, Thrive Global, New York, July 7, 2019 Read here… Rising stars in popular culture: Filmmaker Monika K Adler: “We can create a more valuable life if we work to expand our consciousness”, Yitzi Weiner, Authority
“Cutting across boundaries between consciousness and unconsciousness, or of time, race or culture, Monika K. Adler’s work exhibits and offers engagement: embracing anxieties, neurosis or delusions, which themselves can be full of all hidden secrets and/or memories (as in trauma related experiences and memories) of actual history (e.g. in terms of bodily and emotional abuse)
Travel. Research. Love in London. Writing. Sick Bacchus: development & pre-production. Location Scouting. Production Design. Film Directing study. Cocaine in the Tiramisu. Photography. Collectors. Christie’s. 2018 Shows – Preparation. Sex, Money & Dogs. Luxury items & Soap Operas. Maldives of Consciousness. Alejandro and Psychomagic. Biarritz. Cosmos. Abracadabra. Amen.
Miłość i Śmierć… Eros i Tanatos… Przemijanie i Umieranie… Życie… Teraz – Zaraz – i Potem. Napisać w kilku słowach o Wielkich Sprawach bez patosu czy ‘melancholii banału’ to rzecz wykonalna, lecz rzadka. Nie piszę więc NIC! (…) Film i kreacja Krystyny Jandy nie do Zapomnienia. *In small-town Poland in the late 1950s, an ageing
