Road Trip: Freedom, Nostalgia, Adventure.
Monika K. Adler, Road Trip: Freedom, Nostalgia, Adventure, Private Photo Review, France, 11.03. 2022 https://www.privatephotoreview.com/2022/03/road-trip-freedom-nostalgia-adventure/
monikak. adler
Postcards from the Edge, Visual AIDS benefit.
You can purchase my photography work: Deranged in London at the annual Visual AIDS Benefit. ‘Postcards from the Edge’ exhibition, Visual AIDS, New York, United States January 8-14, 2022 Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving the legacy — because AIDS IS NOT OVER! Get ready! Postcards
EXHIBITION: POSTCARDS FROM EUROPE AT CAMBRIDGE UNIVERSITY, 12 JAN – 25 FEB 2022
EXHIBITION: POSTCARDS FROM EUROPE AT CAMBRIDGE UNIVERSITY, 12 JAN – 25 FEB 2022 26 February 2020: the last time I saw Warsaw. As I left the city to return to London, I took this photograph of The Palace of the Culture and Science, which opened in 1955 on the initiative of Joseph Stalin. It captures
Family FOTO – Serpentine Galleries.
I am very excited my FOTO ‘’Winter of the Century’’ is featured in the online exhibition: ”Family FOTO”, Serpentine Galleries, London, United Kingdom Family FOTO is an international family album inspired by James Barnor’s Serpentine exhibition James Barnor: Accra/London – A Retrospective. https://www.serpentinegalleries.org/family-foto/winter-of-the-century-poland-monika-k-adler/
”Postcards from Europe” exhibition.
I am very happy my photography work ‘’The last time I saw Warsaw’’ will be shown in the Shutter Hub exhibition: ‘’Postcards from Europe’’ at Cambridge University, United Kingdom: November 2021 – January 2022. 26 February 2020: the last time I saw Warsaw. As I left the city to return to London, I took this photograph
International Photography Exhibition in Germany.
My photographs from the series The Truth: Bread Ritual, 2020 are shown in the international photography exhibition BROT/BREAD at the gallery ART FACORY FLOX in Kirschau Germany until 22 August 2021. Curated by Holger Wendland.
Monika K. Adler on ARTPIL
I am very excited that my biography and the body of work has been published on Artpil: modern + contemporary profiles of the arts. https://artpil.com/monika-k-adler/
Monika K. Adler – The Body and Soul
Eliot pisał, że najokrutniejszym miesącem jest kwiecień. ’Wywodzi z nieżywej ziemi łodygi bzu, miesza pamięć i pożądanie, podnieca gnuśne korzenie sypiąc ciepły deszcz.” Marzec bywa jego smutnym preludium. Piękna kobieta z sąsiedztwa popełniła rozszerzone samobójstwo, uśmiercając siebie i dwóch synów. Wyglądali na szczęśliwych, a odeszli w sposób możliwie najboleśniejszy dla ciała. Grupa dzieci udekorowała ich dom białymi
”Death and the Maiden”, 2020 aka Eros conquers Thanatos.
”Death and the Maiden”, 2020 aka Eros conquers Thanatos. #holyweek2021 ”Gazing at Adler’s photography, from a psychoanalytic perspective, Wilhelm Reich comes to mind. And, notably, his view of sexual politics. His contentions about the political implications of the suppression of sexuality in, for example, patriarchal based monogamous marriage are brought to the fore by this
Mass Isolation Project – Format Photo Festival.
My photography work is a part of the Mass Isolation project, Format Photography Festival. The People’s Picture created a Giant Photo Mosaic as a part of the project. You can see it now at QUAD, Centre for Contemporary Art and Film, Derby, UK Photo Credit: People’s Picture, FORMAT, Main Image: Louisa Magdalena – Nahuel Alfonso.
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