My Ego Is My God, 2025 In the terror of standing among “good people,” my Ego becomes my God. Among those who eat, who cry, who spill their lives openly, My Ego is my God. Among kind people, faces smeared with life and dirt, My Ego is my God. But where is God? Where is
Becomings (Protographs for sick bacchus), 2025 This protographic imagery is the brittle, semi-transparent skin sloughed from conventionally captured photography; a holograph of a moment in time combined with a fiction. We wandered through the White stucco mansion houses of South Kensington for hours to form the structure of this skin, each scale crenelated, ballustrated, held
Monika K. Adler and Aeon Rose new photography series Chalk-Stone-White shot on location in the Seven Sisters, England.
Double vision, 2024 Double vision, 2024 The availability and cheapness of travel have diminished its meaning. Crowds of people mindlessly move from one place to another, thinking only of what they will eat, where to stay overnight, and what photos they’ll post on social media. Does the automated, parasocial competitiveness of travel take away its
Pelican’s blood, 2024 Łowicz, Poland, 2024. We follow a girl, early twenties, up a station platform; her blonde hair plaited, ringed by a garland of flowers. She checks her smartphone screen as she walks ahead, her heavy costume: living embroidery, alive with roses. Next to her, a young man in rounded glasses, the contemporary imagination
In William Gibson’s novel, The Peripheral, parts of a depopulated future London transform into anachronistic recreations of the past for the benefit of tourists. Around them, despite a catastrophic collapse of society, the structures of embedded establishment persist.
The Pilgrimage, 2024 The Pilgrimage: A Psychogeography of Loss, 2024 Our beloved dog, Misza, passed away on November 14, 2023. The same day, in 1905, that Rasputin first met Tsar Nicholas II of Russia and changed the destiny of Europe forever. She was with us for nearly fourteen years. Our sadness and emptiness led to
Patriarchal Sabbath, 2023 Patriarchal Sabbath is an allegory of resistance against gender inequality. Women must unleash themselves from the “male-shaped symbolic order.” Contemporary, atheistic, consumer societies are, at heart, the same as religious theocracies; all good people, still controlled by patriarchal coding. Violence and abuse against women remains endemic. Sex, services, and supply; this is
Nostalgia, 2022/23 NOSTALGIA tells the story of an immigrant’s remembrance of a life disrupted by war. Cold earth and blackened gun-metal. Taking with you only the most precious and essential. Cast alone amongst thousands; forced, overnight, to leave their home, their family, their animals, and the places they love; fractious, precarious, putting their lives in
The Truth, 2020-2021 THE TRUTH, 2020-2021 The photography series The Truth is a personal reflection on lockdown in London: with its subtle meetings with loneliness, death, and traces of human presence. Works from the series selected for Rankin’s 2020, Sky arts tv Published by Dodho Magazine, 2020 Published by PRIVATE Photo Review, 2021
