Monika K. Adler’s work Coyote, 2013 will be shown at the Exhibition and will be published in the photography book: About Me, LoosenArt Gallery, Millepiani, Rome Italy, 13 – 22 April 2018. Next shows take place in Hong Kong and at the Canton Museum of Art, Ohio, USA (World Fair Exhibition) The works in ‘Coyote’
Illuminations: Towards Abyssinia (2016-2018) by Monika K. Adler comprises a series of photographic works that implicitly reference the life of poet Arthur Rimbaud. Here begins a journey of transformation inspired by his own, one of unrelenting reaction against established society. ’Abyssinia’ here is both state of mind and ultimate destination for these travellers, their objective
Monika K. Adler’s work Coyote, 2013 will be shown at the Exhibition: Portrait 2018, CICA Museum, Czong Institute of Contemporary Art, South Korea: www.cicamuseum.com Exhibition Dates: January 5 – 21, 2018. The work ‘Coyote’ is one in a series portrait works of the artist and her partner made in 2013. The work communicates the intimacy
Sun 19 Nov 2017 Most followed Photographers on Artstack: Henri Cartier – Bresson – 10, 684 Helmut Newton – 8, 945 Monika K. Adler – 8, 348
REVIEW OF MONIKA K. ADLER’S PHOTOGRAPHIC WORK: A PSYCHOLOGICAL PERSPECTIVE DRS KEVIN ZDANIECKI Fragment: In so many of Monika K Adler’s still photographs the unconscious psyche is attempting to communicate identity (personal and collective) along with most noticeably issues related to the boundary between life and death and the mysteries held within both. Mastery, in
Monika K. Adler: Mystery. Beauty… and the Profoundness of life…, Piotr Grzywacz – Toronto, May 2016 Do you believe that artistic process can purify ones soul? What should be purified and why and how this can be done during act of creativity? I believed that the artistic process can purify ones soul a long time
Wszystko jest Iluzją. ‘Wesela nie było. Nas nie było. Pana młodego nie było’* Nazistowskich obozów też nie było, tylko polskie. Bo Hitlera nie było. Tylko dobrzy Niemcy w granatowych garniturach od Hugo Bossa, dymający Chanel numer 5 w paryskim Ritzu. O la la. Bon ton. Ślimaki po burgundzku. Żabie nogi…. Tout le monde! Everybody! What
