CICA Museum ‘Portrait 2018’ – Catalogue.
CICA Museum ‘Portrait 2018’ – Catalogue. Read here…
CICA Museum ‘Portrait 2018’ – Catalogue. Read here…
Monika K. Adler’s work Coyote, 2013 will be shown at the Exhibition: Portrait 2018, CICA Museum, Czong Institute of Contemporary Art, South Korea: www.cicamuseum.com Exhibition Dates: January 5 – 21, 2018. The work ‘Coyote’ is one in a series portrait works of the artist and her partner made in 2013. The work communicates the intimacy
The Last da Vinci Leonardo’s Salvator Mundi (1500) at Christie’s London. ”As fascinating as any best-selling thriller, the rediscovery of Leonardo’s Salvator Mundi, one of fewer than 20 surviving paintings accepted as from the artist’s own hand, has caused a worldwide media sensation” Vintage Chanel
THE MARTYRDOM OF THE ANGEL’S BODY THE FEMALE ARTIST AS NAKED SIGNIFIER ROBERT SMART In one of the most emblematic photos of the late photographer Francesca Woodman’s photo sequence On Being an Angel, the model assumes a physical posture and a position in the frame suggesting that she is in flight or at least attempting
Happy International Women’s Day! Wishing you freedom, love and satisfaction. Do not serve or kneel before the phallus or any other SYSTEM that enslaves and limits you. W Dniu Kobiet, mogę życzyć Wam tylko tego, co sama posiadam. Życzę więc Wam WOLNOŚCI, Miłości i Spełnienia. Nie służ i nie klękaj przed Ku.asem ani żadnym innym
My work Anxiety & Neurosis will be shown at Feminism in London Conference, Oxford House, London, UK – 9-16 – December 2016 Work description Anxiety & Neurosis Year: 2012-2016 Medium: Photography Size: 30 x 40 cm An intimate portrait of a woman, prey to the psychological archetypes that are imposed on and which shape her
My new video miniature ‘Simone de Beauvoir told me’ will be shown at the BBC Event, 100 Women at BBC Broadcasting House, London, U.K – (Starting TODAY at 6 pm) Simone de Beauvoir told me, 2016, UK, color 1:27 min Produced by Monika K. Adler and Aeon Rose, 2016 Simone de Beauvoir told me, for
Andrzej Wajda w swoich filmach opowiadał z rozmachem o pięknie i sile życia. Płodny, Silny, Zdecydowany, Charyzmatyczny, Gigantyczna Męska Energia z Wytryskami Élan vital. Najbardziej cenię Wajdę za filmy z lat siedemdziesiątych: The Birch Wood (Brzezina, 1970), Landscape After the Battle (Krajobraz po bitwie, 1970), The Wedding (Wesele, 1973) The Promised Land (Ziemia obiecana, 1974),
All my sins are Mortal. Niejaki malarz Caravaggio miał gang prostytutek, które z lubością przedstawiał jako święte. Wierni przez całe stulecia modlili się do wizerunku idolek – błogosławionych kurtyzan – niczym wspøłcześni chłopcy do gwiazd porno. Żył i tworzył na ostrzu noża. Bez kompromisów. Z pasją. Bez nadziei i bez strachu …. Z wolności i
The Beauty of the Shadow/Review from The Ambivalent Body: On The Short Films Of Monika K. Adler, 2013 written by Rob Smart In Adler’s first film The Beauty of the Shadow, produced in 2011, the influence of Warhol and Madonna are perhaps most evident. Featuring Adler herself as the protagonist (with her narration voiced by